Franz Schubert’s seminal song “Der Doppelgänger” (1828) is suspended in a unique historical and stylistic moment of classical music, with its ostinato piano part looking back to Bach’s passacaglia and its declamatory vocal part looking forward to Wagner’s Sprechgesang.. Die Werkzusammenstellung beinhaltet vertonte Gedichte von Ludwig Rellstab, Heinrich Heine und eins von Johann Gabriel Seidl.Da es sich um Schuberts letzte größere Komposition handelt, erhielt die postum veröffentlichte Sammlung … Stories in Song: Stéphane Degout & Cédric Tiberghien (As part of a song cycle/series:) 20 Feb 2020: Song at Wolfson / Tristan Hambleton: Schubert 'Schwanengesang' 16 Feb 2020: Oxford Lieder at Fairlight Hall / Tristan Hambleton Als Voraussetzung für eine harmonische Analyse des Liedes „Der Doppelgänger“ von Franz Schubert kann zunächst eine grobe Gliederung der Formteile vorgenommen werden. 1 Heines Gedicht „der Doppelgänger“ 7. Tabellarische Darstellung. Unter dem Eindruck seines frühen Todes wurde die Sammlung als visionäres Testament empfunden. Der Doppelgänger: Maria Forsström & Matti Hirvonen ; 12 Oct 2019: 9. Heine; Der Doppelgaenger (The Double), Heine; Die Taubenpost (The Carrier-pigeon), Seidl. Aufbau. Der Doppelgänger" is one of the six songs from Franz Schubert's Schwanengesang that sets words by Heinrich Heine for piano and tenor voice. From a synopsis of the art song concluded with critical remarks on Schubert's style and contributions to the art of writing songs, the author has proceeded to a few general statements on the song cycle itself. Schubert's ‘Der Doppelgänger’ is among the composer's most‐analysed works. 9. Vierzehn letzte Lieder: Der "Schwanengesang" ist das Abschiedswerk des Liedkomponisten Franz Schubert. Schwanengesang, perhaps, can be considered one of Franz Schubert’s most notable works. It was written in 1828, the year of Schubert's death. In Heine's poem, the narrator walks the street of a dead city and meets beneath the window of the woman he loves his own doppelganger, wringing his hands with agony and grief. Today we will have the chance to appreciate that in Barcelona, because Der Doppelgänger is one of the lieder that Ilker Arcayürek and Simon Lepper are performing at the first recital of the Schubert Lied series. Yet, in spite of numerous published Schenkerian readings, Schenker's own analytical sketches of the song remain largely neglected. Composed in 1828 and published posthumously in 1829, this collection of songs emanate Schubert’s genius as a composer. 6. Die Lieder entstanden August bis Oktober 1828. Most of the text for these fourteen songs stem from poems written by Ludwig Rellstab and Heinrich Heine, with one poem by Johann Gabriel Seidl.… To present a discussion of Der Doppelgänger, the thirteenth song from Schubert's Schwanengesang, might seem a redundant enterprise.Richard Kramer comments of its sixty-three sparsely textured bars that “no other song has provoked quite as much hermeneutical exercise.” 1 Yet it is precisely this status as a shibboleth of analytical literature that makes the song inexhaustible as a … Score and recording of Franz Schubert Der Doppelgänge for AS Music Edexcel 2012 Developing Musical Understanding www.nickredfern.co.uk 1. Literatur. Schubert Der Doppelgänger harmonic analysis bars 1 to 33 A brief lecture on the harmony of Schubert's Der Doppelgänger from bars 1 to 33. It was written in 1828, the year of Schubert's death. Der Schwanengesang (D 957) ist eine Sammlung von Liedern des Komponisten Franz Schubert (1797–1828). This is followed by an. Schuberts „Doppelgänger“ 8. But by far the scariest song of the six Heine settings -- indeed the single scariest song Schubert ever composed -- is Der Doppelganger (The Ghostly Double).

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